Note that the Mute and Input Level controls are input levels to the delay block and do not affect the dry signal this enables "tails" behavior, and the ability to use an insert effect like a send. Anything can be ducked, panned, oscillated, enveloped, and controlled to your heart's content. You don't have to wish for ducking in this delay. Every aspect of the signal chain's gain structure can be controlled and modulated. Other Desert Cities' secret superpower is its I/O control. Other Desert Cities also includes a diffusor, for "smearing" the feedback path, and bringing ODC near the realm of reverb (especially with the Thermal multi-tap algorithm.) LEVELS
Using two tempo-synced variable waveshape LFOs and an envelope follower sourced by either the main inputs or a sidechain input, nearly every control in the entire user interface can be modulated extensively, opening up new dimensions of sonic possibility. Other Desert Cities includes a full suite of modulation. A pitch-shifting granular delay, with control over grain size and scatter, and with EQ.
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